The collection of typographic wood panels include: two tab styles, horizontal tabs for shelving and vertical tabs for record boxes two sizes for 12” and 7” records two typographical versions, a full twenty-six panel A–Z set for large record collections and an abbreviated six panel set (A-D, E-H, I-L, M-P, Q-T, U-Z) for smaller collections and two lettering styles: engraved or stencilled. Kate Koeppel is a US-based designer who has launched a collection of restrained, high quality, laser cut wood record dividers as an alternative. The classic solution to that is a set of cheap plastic record dividers on which you can scribble the alphabet or music genres, to provide a sense of cataloging. Recommended product: Kate Koeppel Record Dividersīuy: Once you have stuffed your IKEA shelving with records, you probably won’t have a clue where anything is. For example, L-shaped brackets to strengthen each shelf which can cost a couple of pound for a pack of two or even fit metal cross bars on the rear. You need to add strength so invest in metal brackets of some sort to firm up the overall structure. One thing, though, if you buy this model and pack it full of records, the accumulated weight will make it lean to one side and collapse like a pack of cards. It can be bought in varying sizes – the illustrated example seen here is the largest model available – while variants have insets to hold baskets and boxes or space for a TV. One of the best, in budget terms and flexibility, is the IKEA KALLAX. So, while a standard plastic sleeve remains open on one side, the Mylar bag protects the record but also keeps the air and any airborne rubbish out.īuy: Now that your record is encased, where do you put it? A shelving system is essential. Made from high quality 2mm thick Myler, it fits snuggly like a standard outer sleeve but the top of the bag has a large flap and an adhesive strip on the outside. You can find outers for both 10” records and 7” singles too.īuy: While we have talked about the outer plastic sleeve for your record protection, we have yet to mention a new variant on that theme. Stick to the soft, roomy and much cheaper sleeves. When compressed, these thick plastic covers can eventually stick to the record sleeve and pull the artwork right off. Don’t buy the heavy gauge plastic samples and feel smug about it. This will protect your vinyl’s card sleeve but will also prevent dust finding the record (and abrading it over time). The latter is useful because you don’t have to struggle to get the corners of a paper inner into the card sleeve, which causes folding and creasing.īuy: You will need an outer covering to accompany the inner. Recommended inners arrive in two flavours, either as a delicate plastic liner within a paper inner or as a round-bottomed plastic-only variant. Move your record in and out of a paper inner and, over the years, it will act like a fine grain piece of sandpaper, adding surface noise to your record. Hence, it is absolutely essential as a storage medium. Recommended product: Analogue Studio 12″ Inner Sleevesīuy: The inner sleeve is the only item listed here that will regularly come into contact with your precious vinyl. Take care of it and it will reward you with a lifetime of pleasurable use. You pay a lot of money for a new piece of vinyl. Without correct storage, your sleeves can be bent, creased, affected by scuffing, water damaged and more. Part of the joy of buying vinyl is the sleeve, often holding beautiful artwork plus readable and informative sleeve notes. The record itself is not the only target. That’s not all, of course, if you don’t store your records properly, you also open up the possibility of excessive wear, warping and abrasion. Just buy yourself a clean, new vinyl record, hear the silence from the first few plays then leave the record, out of its sleeve, open to the elements, pick it up with dirty fingers, use it as a frisbee and a beer mat and, well blow me down, you’ve got yourself one noisy record. If you don’t store your vinyl properly, then it will affect playback sound quality very quickly. It’s also an old chestnut that ignores many factors which largely result from a lack of basic cleaning and proper storage. People who dislike vinyl point their fingers at this issue as if its a design flaw. The snap, crackle, pops, the background hiss, the clicks and more. With these perils in mind, tech guru Paul Rigby outlines how to store a record collection properly.įor many years now, the top issue brought up by the anti-vinyl brigade is the noise that vinyl makes when it is playing. Despite being one of the most durable physical music formats around, neglect your records and you risk introducing surface noise, scratches, even warping.
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